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c. 1445 – May 17, 1510. Italian painter.

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Thomas Pakenham
The rebels executing their prisoners on the bridge at Wexford

ID: 49402

Thomas Pakenham The rebels executing their prisoners on the bridge at Wexford
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Thomas Pakenham The rebels executing their prisoners on the bridge at Wexford


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Thomas Pakenham

19 October 1864?C21 August 1915  Related Paintings of Thomas Pakenham :. | Belfast Assembly Rooms | Dublin Castle in the 1790s,seat fo the Viceroy and hub of Briish Power | McCracken-s United and twentieth century portrait | Joseph Holt,one of the few Protestants who fought with the rebels in Wicklow | The Battle of Arklow on 9 June,the Turning point of the Wexford rising |
Related Artists:
Dixon, Maria
American Painter, 19th Century
Bernardo Lopez
1801-1874 Spanish Bernardo Lopez Gallery
Matthias Grunewald
German Northern Renaissance Painter, ca.1470-1528,was an important German Renaissance painter of religious works, who ignored Renaissance classicism to continue the expressive and intense style of late medieval Central European art into the 16th century. Only ten paintings (several consisting of many panels) and thirty-five drawings survive, all religious, although many others were lost at sea in the Baltic on their way to Sweden as war booty. His reputation was obscured until the late nineteenth century, and many of his paintings were attributed to Albrecht D??rer, who is now seen as his stylistic antithesis. His largest and most famous work is the Isenheim Altarpiece in Colmar, Alsace (now in France). The details of his life are unusually unclear for a painter of his significance at this date, despite the fact that his commissions show that he had reasonable recognition in his own lifetime. His real name remains uncertain, but was definitely not Grunewald; this was a mistake by the 17th-century writer, Joachim von Sandrart, who confused him with another artist. He is documented as "Master Mathis" or "Mathis the Painter" (Mathis der Maler), and as using as surname both Gothart and Neithardt - this last may have been his surname, or more likely that of his wife. He was probably born in Wurzburg in the 1470s. It is possible he was a pupil of Hans Holbein the Elder. From about 1500 he seems to have lived at Seligenstadt, when not working elsewhere. His first dated painting is probably in Munich, dated 1503 on a much later note which apparently records an older inscription. From about 1510 to 1525 he served in the Rhineland as court painter,






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